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Tim Layton Fine Art Membership
Welcome
Welcome & Thank You (1:20)
What New Content Am I Working On Right Now?
Exploring Ilford WT FB, Foma 131 Classic, XP2 Film, Lith Printing (3:10)
Modifying Ilford Multigrade Developer with Ilford WT FB Glossy Paper (4:43)
Developing Ilford XP2 in CS-41 C-41 Chemistry (Full Demonstration) (23:57)
How I Mix My Standard Bleach Formula & Why (4:20)
How I Flatten My Fiber Prints (2:51)
Comparing Selenium vs Untoned Prints (2:49)
Reviewing Selenium Toning Tests After Dry Down (6:41)
Experiments With Bleaching & Re-Development (41:23)
First Lith Print with Foma MG Classic 131 (Glossy) and Easy Lith Developer (19:26)
First Lith Print with Ilford Warmtone FB Glossy & Easy Lith Developer (14:54)
Ilford Warmtone, Bleaching, Sepia, & Selenium Toning of Wild Horse Print (28:14)
Comparing Ilford Warmtone Sepia Toned vs. Sepia + Selenium Toned Prints (4:50)
Testing Ilford Warmtone With Shorter Bleach Times & Modifying Sepia Dilutions (15:55)
First Production Wild Horse Ilford Warmtone, Bleach, Sepia, Selenium Toned Print - Behind The Scenes (19:09)
Comparing First Wild Horse Production Print AP's (2:55)
Final AP Review of Ice Princess Wild Horse Print (7:22)
New B&W Print From XP2 Negative - Broadfoot Mare at Shawnee Creek (4:54)
Darkroom Tip - Courtesy of Walmart (3:37)
Kallitype Alternative Handmade Prints
Making a Paper Negative For Kallitypes (1st Attempt) (3:09)
Making a Kallitype Test Strip With Paper Negative (1st Attempt) (22:03)
Making Another Kallitype Test Strip With Paper Negative (2nd Attempt) (8:49)
Making a New Kallitype Test Print With Paper Negative (3rd Attempt) (6:08)
Made My First Real Full Test Kallitype Print Using The Paper Negative (4:15)
First Soft Focus Kallitype Using The Paper Negative (7:19)
Second Soft Focus Kallitype Using The Paper Negative (6:45)
Kallitype on HPR Papers With TTH RVP Lens (16:01)
Stormy Sunday - Wild Horse Kallitype Production Print (10:47)
Color Film & Printing in the Darkroom
Developing Ilford XP2 & Portra 400 Together in CineStill CS-41 Developer (8:04)
Making First B&W Silver Gelatin Print From C-41 Color Negatives (Portra 400) (15:57)
How I Mix CineStill CS41 Powder Developing Kit & My Developing Process (6:17)
How I Make B&W Prints From Portra Color Negatives Using My Heiland Splitgrade System (25:41)
Making a B&W Print From Portra 800 (8:43)
Comparing B&W Prints Made From Portra 400 and Portra 800 (3:58)
Making B&W Print From Portra 400 Color Negative - Rocky Creek Stallion (31:08)
Your Suggestions For New Content?
Share Your Ideas & Requests
My Wild Horse Handmade Book Project
Project Intro/Overview (8:03)
Importance of Color/Tone (6:01)
Ice Princess, Our First Ilford WT RC Artist Proofs (9:54)
Ice Princess Palladium Artist Proof # 1 (4:53)
Ice Princess Ilford WT RC Print Comparison (6:47)
Ice Princess Calotype Lodima Silver Chloride AP Prints (9:22)
Ice Princess Palladium Artist Proof # 2 (2:43)
Ice Princess - Palladium AP Review (7:07)
Ice Princess - Palladium vs Silver Gelatin Print Comparison (6:34)
Ice Princess - Salted Paper Prints - AP # 1 (29:43)
Large Format Quick Reference Guide & Field Cards
Large Format Quick Reference Guide and Field Cards
Large Format Video Workshop (The Camera - Module 1)
0 - Course Guidebook
1 - Introduction (5:10)
2 - Visual Tour (7:45)
3 - Lenses (36:19)
4 - Lens Holders (15:14)
5 - Accessories (16:48)
6 - Macro (8:52)
7 - Movements (30:51)
8 - Large Format Quick Reference Cards (2:10)
9 - Sharpness (15:14)
10 - Closeup (18:23)
11 - Challenges (13:16)
12 - Checklist (12:01)
13 - Conclusion (3:39)
Large Format Video Workshop - Module 2 (The Negative)
0 - Course Guidebook
1 - Introduction (4:33)
2 - Metering (15:16)
3 - B&W Film Development (6:53)
4 - B&W Receipes (5:23)
5 - Development Options (15:34)
6 - Tray Development (8:24)
7 - Film Testing Introduction (6:20)
8 - Film Pre-Testing (11:57)
9 - Film Testing Steps 1-3 (18:33)
10 - Film Test Evaluate for EI Rating (4:02)
11 - Film Test Proof Time (13:30)
12 - Film Test Contact Print (4:36)
13 - Film Test Find N Dev Time (6:30)
14 - Making Negatives From B&W and Color Test Targets (8:19)
Color Film Quick Reference (3:32)
16 - Final Summary (1:32)
17 - Appendix/References
Large Format Video Workshop - Module 3 (The Print)
0 - Course Guidebook
1 - Introduction (5:54)
2 - Contact Print (27:03)
3 - Splitgrade Print (20:41)
4 - Scanning (48:32)
5 - Photoshop
6 - Conclusion (1:58)
Split Grade Darkroom Printing Guidebook
Overview
Split Grade Printing Step-by-Step Guidebook
B&W Floral Still Life Fine Art Photography With Large Format
Course Guidebook
1 - Introduction (7:29)
2 - Why B&W Large Format Floral Still Life (4:20)
3 - Creative Plan (6:28)
4 - Pre-Exposure (5:37)
5 - Composition (7:47)
6 - Learning To See (Creatively) (6:35)
7 - Selective Focus (5:45)
8 - Floral Studio (5:01)
9 - Backgrounds (6:36)
10 - Tools (13:45)
11 - Magnification (10:59)
12 - Bellows Factor (4:30)
13 - HP5 Large Format B&W Film (4:32)
14 - Exposing Film (18:09)
15 - Split-Grade Printing (22:29)
16 - Summary/Conclusion (3:20)
17 - Bonus Resources (11:45)
Intro To B&W Analog Darkroom Photography
0 - Course Guidebook
1 - Introduction & Overview (5:55)
2 - Before We Get Started (10:42)
3 - Review Cameras (9:40)
4 - Exposure (14:52)
5 - Development (14:49)
6 - Exposing Some B&W FIlm (14:00)
7 - Develop B&W Film at Home (25:28)
8 - How To Read a Film Negative (8:13)
9 - Printing Demonstration (19:07)
10 - How To Make a Contact Proof Sheet (10:25)
11 - How To Make a Darkroom Print (Step-by-Step) (24:09)
12 - Summary & Conclusion (3:42)
13 - Course Resources
Exploring Large Format Paper Negatives
0 - Guidebook
1 - Overview (15:42)
2 - Paper Options (16:52)
3 - Filters With Paper Negatives (4:28)
4 - Contrast Control Methods (10:00)
5 - Pre-Flashing Technique (11:13)
6 - ISO Rating & Metering Technique (17:11)
7 - RC Paper (4:14)
8 - Discussing 3 Possible Output Types (3:04)
9 - Development Techniques (9:16)
10 - Field Demo Using a 4x5 Camera For ISO Testing (68:15)
11 - Field Demo Using 8x10 Camera & Making a Real Print (15:35)
12 - Using a Single Weight Fiber Paper (12:47)
13 - Making an Enlargement From a Paper Negative (19:42)
14 - Advanced Techniques (6:25)
15 - Making a Split Grade Print (14:38)
16 - Exploring an Analog to Digital Workflow (11:20)
17 - Digital Editing in Lightroom (5:19)
18 - Conclusion & Summary (4:12)
How To Create Digital Negatives For Alt Printing Guidebook
Guidebook & Supporting Files
Color Film Quick Reference Cards For Analog Photographers
Guidebook
Large Format B&W Film Testing Video Workshop
Workbook
1 - Introduction (6:25)
2 - Meter & Expose Step Wedge (12:07)
3 - Develop Step Wedge & Blank Film (18:47)
4 - Evaluate Negative For Proper EI Rating (4:09)
5 - Determine Your Proper Proof Time (13:37)
6 - Determine (N) Development Time (4:42)
7 - Establish Development Times For N+ and N- (6:37)
8 - Summary (8:29)
9 (3:16)
10 - Course Resources & Downloads
Modern Platinum & Palladium Printmaking With Digital Negatives - Quick Start Guide
Guidebook
1 - Introduction (7:41)
2 - Print Layout Before Coating (3:16)
3 - Coating Sensitizer (8:21)
4 - Loading Printing Frame (1:02)
5 - Loaded Printing Frame & Timer (0:56)
6 - Print Development (2:05)
7 - Post Development (1:17)
8 - Cold Toned Technique (1:57)
9 - Photoshop Curve File
Platinum & Palladium Printing With Vellum Master Video Workshop
0 - Introduction (5:03)
1 - Course Materials & Overview (15:16)
2 - Layout Considerations & Techniques (4:30)
3 - Demonstration of How to Effectively Coat Vellum With Your Pt/Pd Sensitizer (8:53)
4 - Drying & Exposing Your Sensitized Vellum Tips & Technique (9:00)
5 - Developing Your Vellum Pt/Pd Print & Handling Tips (4:07)
6 - Clearing & Archival Processing of Your Vellum Pt/Pd Print (4:11)
7 - Blotting & Beginning The Drying Process (1:58)
8 - Flattening Your Dried Vellum Pt/Pd Print (7:03)
9 - Transforming Your Semi-Transparent Vellum Pt/Pd Print Into a Transparent Piece of Art (0:52)
10 - Overview of Special Backing Techniques For Innovate Presentation Options (3:22)
11 - Summary & Final Thoughts (1:40)
Platinum & Palladium Printing (Behind The Scenes)
1 - My LED UV Printer Overview (4:02)
2 - Detailed Walkthrough of the Smoky Mountains Young Buck in Velvet Palladium Print (12:12)
3 - Smoky Mountains Little River Scene # 1 Palladium Print (1:14)
4 - Darkroom Dahlia Platinum-Palladum Print (6:20)
5 - Platinum & Palladium Print Review & Comparisons (14:00)
Large Format Palladium Print "Hodgson Mill" From Silver Gelatin Dry Plate (4:38)
How To Selenium Tone B&W Negatives Quick Reference
Quick Reference Guide
DIY UV Printer Design & Build For Alternative Photographers
00 - Welcome (2:14)
0 - Course Guidebook
1 - Why Build Your Own UV Printer (1:34)
2 - Example Prints (3:34)
3 - Materials List (6:08)
4 - What to Expect (1:39)
5 - How To Read UV Lamp Info (1:53)
6 - Ballast Selection (3:19)
7 - Design Considerations (3:51)
8 - Distance of Lighting (2:46)
9 - Spacing of Lights (1:53)
10 - Placement of Ballasts (2:44)
11 - Types of UV Lights (2:29)
12 - Contrast Control (3:10)
13 - UV Light Spectrum (1:59)
14 - BL vs BLB Lights (2:24)
15 - General Tips (1:45)
16 - Starting The Building Process (0:31)
17 - Cutting Top & Bottom Pieces (2:48)
18 - Cutting The Side Pieces (4:51)
19 - Building The Printer Box (10:34)
20 - Caulking & Painting (1:53)
21 - Painting Tips (1:03)
22 - Top Board Layout (2:05)
23 - Lay out Lamp Supports (4:13)
24 - Constructing The Lamp Supports (2:14)
25 - Drilling Pilot Holes (2:50)
26 - Math For Spacing Lamp Holders (6:16)
27 - Change of Plans (5:50)
28 - Electrical Wiring (1:53)
29 - Holder & Spacing For Electrical Wiring (3:25)
30 - Mounting Top of Printer (3:01)
31 - Finish Hinges & Timer (3:40)
32 - Congrats & Thank You (1:31)
Darkroom Diary Episodes
Darkroom Diary (Comparing Calotype Paper Negatives to Digital Negatives) (6:56)
Darkroom Diary (16x20 Ultra Large Format Wild Horse Print Review) (5:49)
Darkroom Diary (First Successful Calotype Paper Negative) (2:03)
Darkroom Diary (My First Successful Wild Horse Calotype Paper Negative) (2:19)
Darkroom Diary (The Making of "Sorrow" 16x20 ULF Wild Horse Silver Gelatin Print) (4:45)
Darkroom Diary (Testing 8x10 Paper Negatives at Hodgson Mill) (8:27)
Darkroom Diary (Developing Ice Princess Contact Print From Paper Negative) (3:55)
Darkroom Diary (Making 16x20 Wild Horse Silver Gelatin Print) (4:59)
Darkroom Diary (Ice Princess Ilford WT Print From Ilford WT Paper Negative) (6:43)
Darkroom Diary (14x17 Ultra Large Format Contact Print From Hodgson Mill) (3:47)
Darkroom Diary (Peristaltic Pump) (2:00)
Darkroom Diary (Why Paper Negatives?) (5:37)
Darkroom Diary (Silver Gelatin Archival Processing Tips) (1:31)
Darkroom Diary (Silver Gelatin Emulsion Coating on Paper Tip) (3:33)
Darkroom Diary (George Eastman Story) (15:04)
Darkroom Diary (Selenium Toning Big Silver Gelatin Prints) (2:58)
Darkroom Diary (Big Silver Gelatin Print HandlingTip) (2:14)
Darkroom Diary (How We Use a Baby Bottle Warmer) (2:43)
Darkroom Diary (Tips on Coating Handmade Silver Gelatin Emulsions) (7:24)
Darkroom Diary (How To Repair Large Format Film/Dry Plate Holders) (3:40)
Darkroom Diary (Developing Handmade Emulsion Print & Contact Printing Setup) (8:54)
Darkroom Diary (Test Coating Adox Baryta Paper) (4:04)
Darkroom Diary (Making an AZO Silver Chloride Emulsion) (1:41)
Darkroom Diary (Our Archival Silver Gelatin Workflow) (8:57)
Darkroom Diary (Making a Test 8x10 Platinum/Palladium Print With 4 4x5 Dry Plates) (2:32)
Darkroom Diary (Large Format Palladium Print "Hodgson Mill" From a Silver Gelatin Dry Plate) (4:38)
Darkroom Diary (Overview of our Silver Gelatin Archival Workflow) (8:57)
Darkroom Diary (Making Ilford WT Contact Print From Calotype Paper Negative) (9:54)
Darkroom Underground Episodes
Episode 1 (14x17 Ultra Large Format Paper Negatives at Hodgson Mill) (25:12)
Episode 2 (14x17 Split Grade Contact Print From Paper Negative) (33:01)
Episode 3 (Topaz Mill Interview) (14:21)
Episode 4 (Topaz Mill Tour) (26:43)
Episode 5 (Mounting Print With Gudy 831 Tissue) (44:44)
Episode 6 Part 1 of 2 (Making 30x40 Silver Gelatin Enlargement) (44:07)
Episode 6 Part 2 of 2 (Making 30x40 Silver Gelatin Enlargement) (8:19)
Salt & Silver Printing (Behind The Scenes)
1 - Introduction To Salt Printing (10:32)
2 - Salt Printing: Testing 4 New Papers (8:54)
3 - Salt Printing: Re-toning Print in a Fresh Platinum Toner (4:53)
4 - Silver Gelatin Paper Negatives (Behind The Scenes)
1 - Darkroom Diary (Why Paper Negatives?) (5:37)
2 - Darkroom Diary (Making Paper Negative of Ice Princess) (2:11)
3 - Darkroom Diary (Ice Princess Ilford WT Print From Ilford WT Paper Negative) (6:43)
4 - Darkroom Diary (Developing Ice Princess Contact Print From Paper Negative) (3:55)
5 - Darkroom Diary (Testing 8x10 Paper Negatives at Hodgson Mill) (8:27)
6 - DU Episode 1 (14x17 Ultra Large Format Paper Negatives at Hodgson Mill) (25:12)
7 - DU Episode 2 (14x17 Split Grade Contact Print From Paper Negative) (33:01)
5 - Darkroom Build Project
1 - New Darkroom Build - Episode 1 (Just Got The Keys - First Look at Raw Space) (4:03)
2 - New Darkroom Build - Episode 2 (Why & What Reviewed) (3:28)
3 - New Darkroom Build - Episode 3 (Tear Down & New Fancy WiFi Lights) (4:59)
4 - New Darkroom Build - Episode 4 (Painting Begins) (1:50)
5 - New Darkroom Build - Episode 5 (Painting The Workbenches) (3:15)
6 - New Darkroom Build - Episode 6 (Building The 8x10 Enlarger Mounting System) (5:05)
7 - New Darkroom Build - Episode 7 (Finished Installing The 8x10 Enlarger) (7:36)
8 - New Darkroom Build - Episode 8 (Built Shelving and Large Coating Table) (5:39)
9 - New Darkroom Build - Episode 9 (Got the Heating & Air Conditioning Unit Installed) (6:04)
10 - New Darkroom Build - Episode 10 (Unboxing Besler 45V-XL Enlarger) (19:08)
11 - New Darkroom Build - Episode 11 (Building Beseler 45V-XL Enlarger) (32:42)
12 - New Darkroom Build - Episode 12 (Beseler 45V-XL Enlarger Tips) (7:55)
13 - New Darkroom Build - Episode 13 (Tips on Contact Printing With Beseler 45V-XL & Heiland System) (7:30)
14 - New Darkroom Build - Episode 14 (New Harrison Jumbo Dark Tent) (5:39)
15 - New Darkroom Build - Episode 15 (New Harrison Jumbo Dark Cloth) (4:26)
16 - New Darkroom Build - Episode 16 (Neweer LED RGB Lights) (3:30)
17 - New Darkroom Build - Episode 17 (First 8x10 Large Format Negatives in New Darkroom) (8:03)
18 - New Darkroom Build - Episode 18 (Unboxing New 14x17 ULF Camera) (17:42)
19 - New Darkroom Build - Episode 19 (DIY Light Box) (3:03)
20 - New Darkroom Build - Episode 20 (Review TT Signature Lens) (13:01)
21 - New Darkroom Build - Episode 21 (8x10 Large Format Paper Negative of Ice Princess) (2:11)
1 - DIY Handmade Emulsion Series
1 - Introduction To DIY Handmade Emulsion Series (19:51)
2 - Tools & Supplies Needed For The DIY Handmade Emulsion Series (23:39)
3 - Photochemistry Primer For Emulsion Makers (22:17)
4 - Detailed Walkthrough of Related Supplies, Tools, & Materials (28:40)
Ultra Large Format Darkroom Diary
16x20 Ultra Large Format Wild Horse Print Review (5:49)
The Making of "Sorrow" 16x20 ULF Wild Horse Silver Gelatin Print (4:45)
14x17 Ultra Large Format Contact Print From Hodgson Mill (3:47)
ULF French Derogy Lens (5:53)
Tips on Mounting Large & Ultra Large Format Lenses (11:56)
16x20 ULF Ultra Large Format Paper Negative & Ilford Warmtone Contact Print (Molasses Candy Tin) (27:23)
The Stearman Press 8x20 ULF Daylight Tray (4:21)
New 16x20 Chamonix ULF Camera Unboxing (10:27)
8x20 ULF Paper Negative "Vintage Cameras" (With Guest Michael Wellman) (20:40)
8x20 ULF Contact Print From Paper Negative "Vintage Cameras" (19:48)
New 8x20 Chamonix ULF Camera Unboxing (2:50)
16x20 ULF Contact Print "Mr. Curious" AP Review (11:05)
2 - Why B&W Large Format Floral Still Life
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